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Aiko Hilkinger has worked as a script analyst for talent agencies and screenplay contests. Most notably, she has worked for Coverfly which oversees WeScreenplay, ScreenCraft, etc. With insider knowledge from her work with agencies, and her work with contests, both as a reader and a writer, Hilkinger's goal is to help you hone your voice, strengthen your story, structure and characters, in order to develop a polished final draft.

TYPES OF COVERAGE

Script Coverage

GENERAL NOTES

 

  • What's working.

  • What's not working.

  • Actionable suggestions for rewrite.

SPECIFIC NOTES

  • What's working.

  • What's not working.

  • Major concerns (structure, plot, characters, goals, dialogue, format, etc.).

  • In script notes/examples.

SERVICES & PRICES

All transactions are done through PayPal(PayPal fee included in the cost)

SHORT FILM

(GENERAL)

 

$50

- Up to 20 pages

- Min. 1 page of notes

- One (1) week turnaround

SHORT FILM

(SPECIFIC)

 

$65

- Up to 20 pages

- Min. 2 pages of notes

- One (1) week turnaround

HALF-HOUR

(GENERAL)

 

$75

- Up to 35 pages

- Min. 2 pages of notes

- One (1) week turnaround

HALF-HOUR

(SPECIFIC)

 

$90

- Up to 35 pages

- Min. 3 pages of notes

- One (1) week turnaround

HOUR-LONG

(GENERAL)

$120

- Up to 65 pages

- Min. 3 pages of notes

- Two (2) weeks turnaround

FEATURE

(GENERAL)

$170

- Up to 120 pages

- Min. 3 pages of notes

- Two (2) weeks turnaround

HOUR-LONG

(SPECIFIC)

$150

- Up to 65 pages

- Min. 4 pages of notes

- Two (2) weeks turnaround

FEATURE

(SPECIFIC)

$200

- Up to 120 pages

- Min. 4 pages of notes

- Two (2) weeks turnaround

ZOOM CALL

$30 for 1 hr

- Further discussion of notes.

- Brainstorming.

- Actionable changes.

TESTIMONIALS

Aiko provided me with 5 pages of incredibly well thought out notes. It's clear she has a real knowledge of what makes a good script and how to shape an existing idea into something even more powerful. As a writer herself she clearly knows the experience of receiving notes and how damaging this can often be to a writer, especially early on, and so manages to do it in a way that doesn't minimize the work you've already achieved. I'd definitely recommend working with her

J. T

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