SCRIPT COVERAGE

Aiko Hilkinger has worked as a script analyst for talent agencies and screenplay contests. Most notably, she has worked for Coverfly for over a year. With insider knowledge from her work with agents, and her work with contests, both as a reader and a writer, Hilkinger's goal is to help you write the strongest story that you want to tell.

TYPES OF COVERAGE

GENERAL NOTES

 

  • What's working

  • What's not working

  • Actionable suggestions for rewrite

SPECIFIC NOTES

  • What's working

  • What's not working

  • Major concerns (structure, plot, characters, goals, dialogue, format, etc.)

  • Actionable suggestions and script examples to help with the rewrite

SERVICES & PRICES

All transactions are done through PayPal(PayPal fee included in the cost)

SHORT FILM

(GENERAL)

 

$50

- Up to 20 pages

- Min. of 2 pages of notes

- One (1) week turnaround

SHORT FILM

(SPECIFIC)

 

$65

- Up to 20 pages

- Min. of 3 pages of notes

- One (1) week turnaround

HALF-HOUR

(GENERAL)

 

$75

- Up to 35 pages

- Min. 3 pages of notes

- One (1) week turnaround

HALF-HOUR

(SPECIFIC)

 

$90

- Up to 35 pages

- Min. 4 pages of notes

- One (1) week turnaround

HOUR-LONG

(GENERAL)

$120

- Up to 65 pages

- Min. 4 pages of notes

- Two (2) weeks turnaround

FEATURE

(GENERAL)

$160

- Up to 120 pages

- Min. 4 pages of notes

- Three (3) weeks turnaround

ZOOM CALL

$35/hr

- Further discussion of notes provided

- Brainstorming

- Actionable changes

HOUR-LONG

(SPECIFIC)

$145

- Up to 65 pages

- Min. 5 pages of notes

- Two (2) weeks turnaround

FEATURE

(SPECIFIC)

$185

- Up to 120 pages

- Min. 5 pages of notes

- Three (3) weeks turnaround

LOGLINES 

$25

- I'll write three (3) loglines for your script after reading it.

TESTIMONIALS

Aiko provided me with 5 pages of incredibly well thought out notes. It's clear she has a real knowledge of what makes a good script and how to shape an existing idea into something even more powerful. As a writer herself she clearly knows the experience of receiving notes and how damaging this can often be to a writer, especially early on, and so manages to do it in a way that doesn't minimize the work you've already achieved. I'd definitely recommend working with her

J. T